Cine film transfer
Kodak Super 8 movie camera
Kodak Super 8 movie camera.
Kodak has announced that it will be making a brand new super 8 movie camera.
Features.
It will incorporate a flip out LCD monitor.
The lens will be C-Mount. This will make the camera be able to accept interchangeable c mount lenses. This is a big thing to film makers.
It will have an audio record input.
The Kodak super 8 movie camera will use the same cartridge system of old.
Larger film gate almost 11 percent.
Estimated price will be between $2,500 to $3000 US dollars.
Conclusion.
This price is very high for a super 8 camera. I would suggest that for this type of money you go the 16mm route.
8mm film lengths on reels
8mm film lengths on reels.
The original Super 8 and Standard 8 cine films which came in a plastic cassette and were 50ft long reels.
These films were then either left as 50ft reels or spliced into the following reel lengths for projection purposes.
50ft reel 3 Inch diameter reel.
200ft reel 5 inch diameter reel.
400ft reel 7 Inch diameter reel.
For Information on 16mm film
Sometimes on the larger reels there is ruler marks on the side of the reel showing feet and another showing meters. This tends to be more common on the 400ft reels.
If you have any problems working out the length of your super 8 standard 8 and 16mm cine reels please contact us and we will do our best to help.
Contact page. Contact us.
16mm Bolex camera winding
16mm Rolex camera. Video Below showing my Bolex 16mm clockwork film camera still working very well. Not bad considering its a 1960’s camera.
Swiss engineering for you.
The 16mm Bolex camera is a brand of motion picture cameras, including those designed for 16mm film. The Bolex 16mm cameras, particularly the Bolex H16, have been widely used by amateur and professional filmmakers since their introduction in the 1930s. Here are some key features and aspects of the 16mm Bolex camera:
- Bolex H16 Model: The Bolex H16 is one of the most well-known models in the Bolex 16mm camera series. It became popular for its compact size, portability, and precision engineering.
- Spring-Drive Mechanism: One distinctive feature of Bolex cameras, including the H16, is the spring-driven mechanism. Instead of relying on batteries or external power sources, Bolex cameras use a hand-cranked spring drive for film transport and exposure.
- Interchangeable Lenses: Bolex cameras typically have a C-mount lens system, allowing users to interchange lenses. This feature provides flexibility in choosing lenses for different shooting scenarios.
- Variable Speed Control: Bolex H16 cameras often have variable speed control, allowing filmmakers to adjust the frame rate for creative effects or technical requirements.
- Compact Design: Bolex cameras are known for their compact and lightweight design. This made them suitable for handheld and documentary-style filmmaking.
- Manual Operation: Bolex cameras are primarily manual in operation. Filmmakers need to manually crank the spring for film transport and exposure. This manual aspect is considered an advantage by some filmmakers who appreciate the hands-on control.
- Legacy and Influence: Bolex cameras, especially the H16, have left a significant mark on the history of filmmaking. They were widely used by filmmakers such as Jean-Luc Godard and Dziga Vertov, and they played a role in the development of independent and avant-garde cinema.
- Availability and Collectibility: While 16mm film has seen a decline in mainstream use, Bolex cameras remain popular among collectors, enthusiasts, and some independent filmmakers who appreciate the unique qualities and craftsmanship of these cameras.
It’s worth noting that Bolex has produced various models over the years, and different models may have specific features or improvements. The Bolex H16, however, is often recognized as a classic and iconic 16mm camera.
For Information on Super 8 movie cameras.
Super 8 film developing
Super 8 film developing.
Picture above of my Canon 814 XL-S super 8 movie camera. One of the best Super 8mm cameras ever produced.
Truth be know I have had these Kodak cine films laying around the studio for quite some time. I suppose its a bit like a car mechanic who never does any work on his own car.
Kodak super 8.
The 3 films that I need to get developed comprise of 2 Kodak 100d films and one 64T. The T standing for Tungsten corrected and the D on the 100D film meaning daylight corrected film.
Positive film stock.
Unfortunately Kodak no longer produce these 2 film types. Positive film stock is similar to slide film producing a positive print on the film.
Kodak now only produce negative super 8 film stock. These Include the following.
KODAK VISION3 50D Color Negative Film 7203 / 50 ft Super 8 Cartridge, Catalog # 1738053.
KODAK VISION3 500T Color Negative Film 7219 / 50 ft Super 8 Cartridge, Catalog # 8955346.
KODAK VISION3 200T Color Negative Film 7213 / 50 ft Super 8 Cartridge, Catalog # 1380765
Super 8 film developing for my 3 positive films is an E6 process. which is the same as 35mm slide film processing.
Once my films have been developed. I shall be scanning them at Full HD resolution using our custom built 8mm cine film scanners to Apple Pro Res 4:2:2. This can also be transferred to MPEG 4 or AVI for viewing or editing on a Windows PC computer.
I look forward to showing the video results on this Blog and my youtube and Vimeo channel in the near future.
Please remember there is nothing like film.
16mm cine film conversion to digital video
16mm cine film conversion to digital video.
Introduced by Eastman Kodak in 1923, 16mm film was initially designed for amateur and low-budget filmmaking. Over the years, it gained popularity in educational, industrial, and documentary productions. During the mid-20th century, it served as an accessible medium for filmmakers.
16mm film found widespread use in schools, as it allowed educators to create educational content easily. In the 1960s and 1970s, avant-garde filmmakers embraced it for its cost-effectiveness and unique aesthetic.
With the rise of digital technologies, 16mm film faced decline but retained its appeal in niche filmmaking circles due to its distinct visual qualities. Today, it holds a place in the history of film technology, marking an era when film formats were diverse and evolving.